
Here is my third interview. I spoke to Paul Lamere (pictured left) just an hour or two after my chat to Zac Johnson. Some of their points overlap with each other: for example, Paul's Green Day/Weezer/Radiohead argument about collaborative filtering is pretty similar to Zac's, which he illustrated with the Beatles/Bob Marley/James Brown. However, there are also minor differences and nuances of emphasis, reflecting, perhaps, the perspectives of their employers.
Paul Lamere works for Sun Labs in Boston, where he's the Principal Investigator for a project called Search Inside the Music. Unusually among industrial research labs, Sun's are funded from the corporate treasury, rather than product groups, which gives them greater scope for blue sky thinking, while still focusing on the needs of Sun's customers, who include a variety of high-profile music service providers.
Paul is interested in the whole music discovery process. Citing the long tail effect, he sees the challenge as providing the link between a million songs in the backroom and the mobile device in your hand. The ideal would be to have an option on that device that just says "play me music I like".
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Here's the second in my series of interviews for the book, with many thanks to Zac Johnson for his time and insights. As these interviews are not the primary source of research for the book, I'm not aiming to be comprehensive, but I'm very open to talking to anyone who'd like volunteer their views and describe work relevant to the book's themes, especially if these are different to the ones I've documented. I guess what I'm saying is that if you read this and think, "Hey, I've got something to say about that, so David should speak to me", please don't wait to see if I contact you, because I may not — please just
I'm doing a handful of interviews relating to different ways of discovering music, and how they fit into the overall new media ecology. I'm not sure yet how, or even if, these will be reflected in the book. But in the meantime, I will make a few notes available on this blog, starting with an interesting case study of an in-development initiative to provide a specialist on-demand classical music TV channel. Here are my notes, with many thanks to Frances Maxwell for the time and input she gave me.
The latest prototype from the prolific
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